1. |
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(we took our way unto the nearest woods
seating ourselves within a darksome cave
such places heavy saturnists do crave
where yet the gladsome day has never seen
nor phoebus' piercing beams had ever been)
and here we found our home
to bear us trunks and branches
and a web of gnarled roots
to tie us to it's emptiness
sinking and sinking
like fangs into the flesh
from stagnant wells we drink in silence
starving on this darkness we share an ingrown pain
consumed by inner fires we bear our mutual shame
where the gladsome day has never seen
nor phoebus' piercing beams had ever been
the truth will cut us free
but not until its finished with us
|
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2. |
PANDORA
03:40
|
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the downtown bowels growling
like a tumor growing
startling cold streetlights
omnipresent eyes
the mind as a weapon against itself
as we disintegrate urban disintegration
endzeit stimmung selbstverschlingung
perpetual motion stagnant emotion
eternal devouring pushing and shoving
the mind as a weapon against itself
endzeit
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♄♄♄♄♄ Graz, Austria
♄♄♄♄♄ pronounced "saturnists"
we took our way unto the nearest woods
seating
ourselves within a darksome cave such places heavy saturnists do crave where yet the gladsome day has never seen nor phoebus' piercing beams had ever been.
contact:
saturnistsofficial@gmail.com
... more
♄♄♄♄♄ recommends:
Stefan's sludgy band.
go to album
Our boys in Nidare.
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Lost Landscapes
by A Canyon In The Sea
Thomas' solo stuff.
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On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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Covenant of the Blackened Woodlands
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